Josh Harmon
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Predator: Hunting Grounds review
Still better than the Adrien Brody movie.
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EGM’s Game of the Year 2019: Control
Weird is hard. Even defining what makes a work of fiction “weird” can be a bit slippery. It’s more than just building a world full of the impossible and unfamiliar, since that could just as easily describe boilerplate fantasy or science fiction. The difference, I think, is that true weirdness has to unfurl from the…
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EGM’s Best of 2019: Josh Harmon’s Picks
Reasonable folks can disagree, but 2019 struck me as a definite off-year for video games, with plenty of slightly above-average games and very few true greats. Truth be told, up until a mad rush in November and December to play through a bunch of stuff I’d missed out on, I didn’t even have a full…
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EGM’s Best of 2019: #4 Death Stranding
From the moment Hideo Kojima first forced us to gaze upon the bare ass of CGI Norman Reedus, it was clear Death Stranding would be destined for greatness or madness. As subsequent trailers piled on cryptic image after cryptic image, it began to seem like there was no possible way that all these strands could…
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Call of Duty: Modern Warfare review
Shock and blah.
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The Outer Worlds review
🐘
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Jedi: Fallen Order May Be the First Game to Nail Star Wars’ Creative Spirit
Young George Lucas would be proud.
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Concrete Genie review
Concrete Genie has heart but ultimately proves too aimless to support its brief running time.
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The Split-Screen Man
Billy Mitchell isn’t done playing games.
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Playing The Last of Us Part II Erased All My Doubts—Except One
Naughty Dog’s sequel looks, sounds, and feels amazing, but it still has to pass the smell test.
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Telling Lies review
A thought-provoking look at surveillance, delivered not through soapbox lecture but by forcing you, unsettlingly, to participate.
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Welcome to the New EGM
We’ve got a new look and a new focus on feature content. Find out everything that’s changed about EGM.